Credit Sequencing

Since I'm on a bit of a time crunch, I will get straight to the point: I'm going to be analyzing three credit sequences today, but, because of the lack of time, they will be the credit sequences of the movies I analyzed for my previous Film Openings blog. 

    The opening credit sequence of Breaking Bad is an absolute masterpiece in minimalism. The title emerges in an intimidating, even foreboding green color, foreshadowing the meth-cooking that takes place – this being vital to the story. By highlighting the elements of the period table, 'Br' and 'Ba' (bromine and barium) from the periodic table, the sequence immediately gives a big red signal telling the viewer they're watching a show based on chemistry. The rusty and dusty background hints at decay, mirroring Walter White's downward spiral. 

    

    After that, American Psycho opens its credits with a devious scene that plays on the already preconceived notions the audience holds going into the theater. Visuals of blood appear multiple times throughout the frequent close-up shots, but, it turns out to actually be some fancy gourmet sauce splattered on a plate in a way that nobody can ever understand. This scene establishes the basis for American Psycho's narrative which is filled to the brim with hidden darkness and superficiality. In keeping with Patrick Bateman's fixation on appearances, the crisp, clean fonts utilized for the credits convey a high-end aesthetic. His attention to detail and the film's underlying tension are further reflected in the deliberate camera movements and tasteful soundtrack.

    Last, Parasite. Parasite goes for a pretty subtle and undercover approach to its opening credits. The title fades in slowly, immersing the audience into the narrative world, but also reflects the Kim family's gradual infiltration into the Park household––as well as their descent into madness––. The soft yet strong design mixed in with the quiet yet formidable atmosphere set the tone for the unfolding social commentary.